Showing posts with label green day. Show all posts
Showing posts with label green day. Show all posts

Wednesday, April 17, 2013

Crisis of Identity: Green Day and Me

I'm not precisely sure why I am choosing to share THIS of all the stuff I have been writing privately over the last year, but I guess something in me wonders if anyone else might be interested or find it useful or just more generally what responses I might get.  Like, honestly, this is kinda trivial in a way.  Maybe that's why, maybe it's a safer thing to share, sort of.  Anyway, whatever, the point is: I went to a Green Day show tonight and it brought to the surface things I have been feeling for a while but did (well, DO) not want to admit to myself.

I am not connecting with Green Day like I used to.

Let me put this in context: Green Day has been my favorite band since I was about ten years old. So for almost two decades now.  Their being my favorite band is a huge component of who-I-am and how I understand myself.  Their albums have gotten me through (quite literally) the worst times in my life; from coming to terms with my depression and self-hate as an adolescent to coping with my aunt's murder in 2009, and everything in between.  Every album has had something important to say about something that was core to my life at the time that I heard it.

Except this latest one.

I mean there are some good songs on it (and just to make it easy I'm talking about Uno, Dos, Tre! as one album), songs that have gone into rotation as some of my favorites.  But, with the exception maybe of Stay the Night, none have spoken to me in that way that was unique between me and Green Day's music; songs that talked to me about something I needed to hear before I knew I needed it.  Or that said something about myself/my life that I was only just coming to understand.  More generally, and more troubling to me, is that this is the first album that has had songs on it I actively dislike and don't want to listen to, EVER.  I mean it's only one or two but literally that has never happened before.  Even worse, apparently some of the stuff they think is their best on that album, I'm indifferent to at best (like 99 Revolutions).  But, generally, I've been purposefully ignoring this and refusing to admit it to myself.

That ended tonight.

I went to the Green Day show tonight in Berkeley.  It was good.  It was what I have come to expect.  It was familiar in a way that I have found comforting in the past.

But it wasn't what their shows usually are for me.

Generally, going to a Green Day show for me is like going to Church (or rather what going to Church should be).  I feel super connected to the larger world/life/the gods and dance and sing my heart out like no one is watching (a state of bliss I basically never otherwise achieve).  While I had a good time tonight, that feeling did not emerge.  Out of 8 shows I have been do over the past 12 years, this is the first time I haven't felt that way.  And on reflection that really shook me.  Now...maybe this is the case because I did something different this time and went down on the floor and ended up contending with moshpits and almost getting crushed to death for the first half of the show.  That context did make the show hard to enjoy at times, although seeing them pretty up close for the first time was worth it.

But also the show was basically the same one that I've been going to since 2004.

I mean obviously there are some differences in song choices... They've had a couple albums come out since then.  BUT, largely the format (and many of the songs) have stayed the same.  And where that familiarity has been comforting in the past, this time it was...not boring...but less exciting and meaningful than previous.  If you listen to Bullet in a Bible you'll basically hear this same show.

Something has changed; I'm just not sure if it's them or it's me.

I felt this when Billie Joe went into rehab too - like that maybe they are becoming cliche old rock stars. Not totally happy with themselves because their brilliance is spent or in hiding because being-a-rock-star is so much work inofitself that how do you find time for your mental health or family or inspiration?  And so you just keep doing what you've been doing even though you know deep down it's getting stale.  The possibility that this is happening to Green Day quite frankly frightens me.  I fear this is part of why I am not connecting with their music as I once did.  Along similar lines, while I have been deepening my political understandings, theirs seem to have lost some of the incisiveness of American Idiot (and even 21st Century Breakdown); again 99 Revolutions comes to mind.

And to be PERFECTLY clear, I don't think this is about "selling out;" that whole conversation completely annoys me.

But I do wonder how they may have compromised themselves or lost perspective on who they are and what they do and their place in the universe over the years.  And I do wonder how that is effecting their mental health and creativity.  And I think some of that can be found in Billie Joe's stint in rehab, or more accurately, the things that led to him getting to that point (according to his recent Rolling Stone interview).  But here's the reason I have been running away from even allowing myself to voice any of this in my own head much less aloud:

WHO AM I IF GREEN DAY IS NOT MY FAVORITE BAND???

That might sound completely ABSURD and SILLY but I am very serious.  I mean, go back up to my third paragraph where I told you all the things that they have gotten me through.  Look at the fucking name I use to blog with.  There are certain things that are major pieces not only of my life but in WHO I UNDERSTAND MYSELF TO BE and HOW I come to understand myself.  If that ceases to be, if I move away from them, if another band takes their place...does that mean I am becoming someone new?  Or has that already happened and I am just playing catch-up here with myself?  What will it mean if I no longer have them to rely on?

I know this is going to seem patently ridiculous to some people, but I hope there are others who have had something so important for so long that can relate to what I'm trying to think through here.  I'm not expecting to get any answers out of writing or posting this, but it is a marker of...something...that I think is going to be important for my own personal journey over the next...however long.

Saturday, March 26, 2011

Review: Cometbus #54 - In China With Green Day

In China With Green Day (Cometbus #54)In China With Green Day by Aaron Cometbus
My rating: 5 of 5 stars

Unlike anything about Green Day I can remember reading before.

Though there were times where I wanted to tell the author "wait, go back, I want to hear about that other thing!" he also managed to really take me with him on a sometimes nostalgic, sometimes frustrated, emotional journey.

Without getting into too much of spoiler territory I will just say that by chapter 20 I had a lump in my throat.

"Seeing them up close made me forget the cultural behemoth that they had become. Seeing them from afar made it easy to forget that they were human too." This, I think, is a quote that will stand out for me as I think about this zine later - and one which gives you a hint of what sort of story Aaron Cometbus ends up telling in its pages.

If you love Green Day... Not if you thinks they are ok, but if you really love them. And especially if you have been through a lot with them as a fan, I could not more highly recommend this to you. I am so happy to have read it.

View all my reviews

Monday, January 31, 2011

Newest Cometbus Zine Will Be Dedicated to Creator's Trip Through China With Green Day


"Aaron Cometbus went to China with Green Day last year. He's dedicated an entire issue of his Cometbus zine to the experience called In China with Green Day.

It's out now at NYC local independent underground bookstores, particularly at Book Thug Nation in Brooklyn. It will be available online soon: HERE."
SOURCE

In other Green Day-related news, Melissa Etheridge will soon begin her stint as St. Jimmy in American Idiot and Mike Dirnt's side project The Frustrators will be playing a local show soon!

Monday, January 10, 2011

Billie Joe Armstrong Considering Creating Original Play w/Michael Mayer and "American Idiot" Film Adaptation

Now for something a bit lighter and very fan girl...
NEWS: GREEN DAY:
"As a follow-up to his “American Idiot” musical now on Broadway, Green Day’s Billie Joe Armstrong said on Sunday night that he’d like to try his hand at creating an original musical with Michael Mayer, the director of “American Idiot.” The two men, interviewed as part of The Times’s Arts & Leisure Weekend, said they had no definite plans, but Mr. Armstrong rhapsodized frequently about this first experience with theater — creating “American Idiot” with Mr. Mayer (“Spring Awakening”) and now performing in the show through late February as the malevolent character St. Jimmy."
[...]
They are also working to create a film version of “American Idiot.” Mr. Mayer said: “We’re definitely in talks. There are people who have the ability to make it happen, who have expressed genuine interest in it, and we want to do it, so I think it could happen.” He declined to identify the potential producers, but news reports said that the Playtone partners Tom Hanks and Gary Goetzman were interested.

On the matter of playing St. Jimmy in a film, Mr. Armstrong smiled and shrugged and said nothing, but Mr. Mayer chimed in: “I think that’s a no-brainer.”

Wednesday, September 01, 2010

AOL Sessions



"Letterbomb" as performed by the cast of "American Idiot"

Gives me chills.

Thursday, December 03, 2009

21 Guns with American Idiot Cast!!!

SQUEE!

So, if you aren't as awesome as me and haven't gotten to see American Idiot the musical yet, check out this new version of 21 Guns that Green Day recorded with the cast!

It's fabulous, and I'm pretty sure that's Rebecca Naomi Jones (aka WHATSERNAME w00t!) on lead vocals.

Click HERE to launch the music player!

Thursday, August 06, 2009

Be a Part of the American Idiot Musical Set!

Here's your chance to be part of American Idiot. Set designer Christine Jones, part of the extraordinary team of artists working to turn a seminal Green Day album into a raging piece of rock 'n' roll theater, is sending out a call to musicians and fans to be - literally - part of her set.

Christine would like you to send in artwork that has been generated for your own bands -for concert posters or album covers - which would then be used to paper the walls of the warehouse-like set. She is also interested in handwritten song lists and handwritten pages of songs in the process of being written. Photocopies are acceptable. Send your submissions by Aug. 25 to: Berkeley Repertory Theatre Scenic Studios, Attention Lisa Lazar, Scenic Artist, 2526 Wood St., Oakland CA 94607.

Once the articles you send become part of the set, obviously, they cannot be returned, but they will be part of history as American Idiot makes its world premiere at Berkeley Rep Sep 4-Oct 11.
Link

I'm thinking about maybe doing some poetry and sending it in. Whenever I write poetry I always think about it as a song anyway.

Sunday, August 02, 2009

Another Fan Plays Jesus of Suburbia

Even more adorableness in this one!



One of the greatest things I've ever seen. Watch to the end, he is so fucking adorable with her!

And geez, she must be tiny if his guitar is that long on her, he's not exactly tall....

GREEN DAY - Jesus Of Suburbia LIVE 7/27/09 Madison Square Garden, NYC complete 16x9 HQ! MSG (via brianvicet)

Sunday, June 14, 2009

They Are So Awesome

The FOXBORO HOTTUBS on Carson Daly. Just a couple days ago.

What I would do to go to one of their shows... SO MANY STAGE DIVES = SO MANY CHANCES TO TOUCH HIM.

I saw women's hands running through Billie Joe's hair and I fucking melted. It felt like a fire lit in my gut.

I think a part of my life would be complete if I ever managed that feat...

Also getting pulled on stage to sing along (oh yes I know all the words) or bang a tambourine (tambourine = win) would be great too, especially if I got to hang around his neck like that one woman... but ohhh to run my hands through his hair...

Wait, what was I posting for? Oh, right, anyway check it out they're awesome...

Saturday, May 23, 2009

Life Before the Lobotomy

Dreaming I was only dreaming Of another place and time
Where my family's from


Singing I can hear [her] singing
When the rains have washed away All these scattered dreams

Dying Everyone's reminded Hearts are washed in misery
Drenched in gasoline

Laughter There is no more laughter Songs of yesterday
Now live in the underground


Life before the lobotomy Christian sang the eulogy
Sign my love a lost memory From the end of the century

Well, it's enough to make you sick
To cast a stone and throw a brick
When the sky is falling down It burned your dreams into the ground


Christian's lesson is what he's been sold We are normal and self-controlled Remember to learn to forget Whiskey shots and cheap cigarettes

Well I'm not stoned I'm just fucked up
I got so high I can't stand up
Well I'm not cursed 'cause I've been blessed
I'm not in love 'cause I'm a mess

Like refugees We are lost like refugees
The brutality of reality Is the freedom that keeps me from

Dreaming I am only dreaming Of another place and time
Where my family's from

Singing I can hear [her] singing
When the rain have washed away All the scattered dreams

Dying Everyone's reminded Hearts are washed in misery
Drenched in gasoline

Laughter There is no more laughter Songs of yesterday
Now live in the underground



-copyright Green Day 2009-
"Before the Lobotomy"
words in [] represent my changes bolding my emphasis
I have had this on repeat...it works so well to describe how I feel on every level.

Saturday, May 09, 2009

Monday, May 04, 2009

21st Century Breakdown 6 Tracks On the Radio

And if you missed them you can hear them here!

Tracks include:
21st Century Breakdown
Before the Lobotomy
East Jesus Nowhere
Restless Heart Syndrome
21 Guns
American Eulogy

Also a short explanation before some, as these are from a whole interview thing that's being done on different stations throughout the week.

No "Murder City". Oh well.

Friday, April 24, 2009

Green Day's First New Video

Know Your Enemy

It's not one of their best videos, the song is ok (there are much better ones on the album imo), but I got the point. It's cool. I hope the others are more in line with their more creative vids. Sorry I couldn't embed, Blogger doesn't like MTV's coding.

Thursday, April 16, 2009

21st Century Breakdown is going to be fucking awesome

And that is the moral of the story from the Green Day concert on Tuesday night.

First official single came out today ["Know Your Enemy"], and if you pre-order the album on Itunes the single will automatically download. So I got it of course, wanted a pre-order anyway. Now I'll log on early in the morning of the appointed day (May 15th I think) and the whole lovely album will shortly be with me!

Let's see, so the tickets were rather expensive, well, couple of cool things they did with the money; we all got programs with the lyrics to the songs in them, so we could follow along (when we could see of course...) that was sweet. Also they were handing out posters for free with the album cover art on it and the date and place. Only one way to get such a thing; had to be there.

I also actually paid for a shirt with the same (place and date), perhaps I will take a picture of it soon to show you, I like the art on it. But atm it's in the laundry.

So the new album has basically all the good parts about American Idiot (imo) and some of the good parts of some of their other albums, notably: Warning. There is a song, I forget which one, maybe "Restless Heart Syndrome" had a sound to it very similar to "Misery" which is like one of my favorite all time songs because it's so odd and awesome.

There is also the fact that in this story is a woman named "Gloria" who I would say is the main character, as she appears in a number of songs. This wouldn't be the first time that Billie Joe used a Mexican female character in a song, there is also "Maria" which was only released on their Greatest Hits album as an extra, it's always been a favorite of mine though. Gloria, was my grandmother's name.

I'd really like to see BJ's notes on the song "The Last of the American Girls", seems like there's a lot going on there. And maybe my favorite song, I'm not sure though, was "Murder City" which was about living in Oakland during the Oscar Grant riots. For one, the lyrics are awesome (you can find them below) but it was more that it is cool to know I lived through something along with them, even if it's not as though we know each other. That was just an intense time. I'll never forget coming home and seeing all these cops all about and so many neighbors car windows smashed and downtown with some of the same.

There's also yet again a lot of Christian imagery in this album and BJ's status as "recovering Catholic" (I don't know if he self-identifies with that particular label but I ascribe it to him) is really apparent, and a bit more blasphemous this go around. But then after Foxboro Hottubs "Mother Mary" I'm not terribly surprised at that.

So yah, to sum it up, if you're hoping for "Dookie" Green Day, I don't think they're ever coming back. But if you're willing to evolve with them, there's a lot this album will have to offer.

Murder City

Desperate
But not hopeless
I feel so useless
in the murder city
Desperate
But not helpless
The clock strikes midnight
In the murder city

I'm wide awake
after the riot
This demonstration
of our anguish
This empty laughter
has no reason
Like a bottle
of your favorite poison

We are the last call
and we're so pathetic
Christian's crying
in the bathroom
And I just want to
bum a cigarette
We've come so far,
We're been so wasted
It's written
all over our faces

Monday, March 30, 2009

American Idiot: The Musical!

I'm not kidding.

"Punk CD Goes Theatrical"
A new musical production adapted from “American Idiot,” the best-selling album by the punk band Green Day, is scheduled to make its debut in September at the Berkeley Repertory Theater in California.

Berkeley Rep is to announce Monday that the new work, also titled “American Idiot,” will have its premiere as the first production of the theater’s 2009-10 season, and run from Sept. 4 through Oct. 11.

The musical is a collaboration between Green Day — the Bay Area rock trio consisting of Billie Joe Armstrong, Mike Dirnt and Tre Cool — and Michael Mayer, the Tony Award-winning director of “Spring Awakening.”

The project is also causing some shock to the band members, who acknowledge that they had grand aspirations for “American Idiot” but perhaps not quite this grand.

“It doesn’t make a lot of sense,” Mr. Armstrong, the Green Day singer and guitarist, said of this new partnership in a telephone interview, “but that’s what I love about it. When people see it, it’s going to be my wildest dream.”

Released in 2004, “American Idiot” (Reprise) was Green Day’s conceptual response to the depressing realities of the post-9/11 era; it combines bleak lyrics with bright, thrashing guitar riffs. Many of its singles, including “Boulevard of Broken Dreams” and the title track, were hits, and the album went on to sell more than 12 million copies worldwide.

Among its fans was Mr. Mayer, who discovered “American Idiot” while he was still in the early stages of directing “Spring Awakening,” Duncan Sheik and Steven Sater’s musical about the pubescent struggles of 19th-century German youth.

“It was very much in my head all during that time,” Mr. Mayer said. “Sometimes I really would say things like, ‘Why can’t this have a groove like “Boulevard of Broken Dreams”?’ ”

Following numerous victories for “Spring Awakening” at the 2007 Tony Awards Mr. Mayer and his producing partner, Tom Hulce, approached Green Day about adapting “American Idiot” for the theater. After two workshops in New York in 2008 — a summer session to try out orchestrations by Tom Kitt (“Next to Normal”), and a winter session that added choreography by Steven Hoggett (“Black Watch”) — the band gave its consent for a full-scale stage production.

For now the creative team is tight lipped about how, exactly, it will translate the libretto of “American Idiot” into a narrative. As Mr. Armstrong admitted, “It’s not the most linear story in the world.”

But Mr. Mayer said, “If you read it a certain way, you can pull out a multiplicity of voices.” He hinted that a triumvirate of characters referred to elliptically in the album’s lyrics, with names like Jesus of Suburbia, St. Jimmy and Whatshername, would likely emerge as the central characters. All told, he said, the ensemble would include 19 performers playing characters in their early 20s, though no casting has been announced.

The motherfuckers spelled "my" name wrong! Oh well.

SQUEE!

Monday, February 09, 2009

NEW GREEN DAY ALBUM!

Message From Their Myspace Blog!

Coming Soon...

Coming in May 2009 - Green Day's new album "21st Century Breakdown" hits the shelves.

The album is up for pre-order right now at www.greendaymusic.com

Wheeeeeeeeeeeeeeeeeeeeeee!!!!!!!!!!!!! \o/ It seems like forever ago that American Idiot came out. I can't wait to see what they've done! Anyone who "finds" any new songs, please please please let me know!

Saturday, January 31, 2009

My Banner, My Name, and My Avatar

This post is a really long time coming. I've had this blog for well over a year now, and yet I've never addressed it (though I've sat down to write it a few times). I've also, surprisingly, gotten no comments about it (though I have had comments on my avatar. Someone asked me why, if I was such a feminist, I used a picture of a woman with her mouth "so obediently covered". I had to laugh, and informed the asker that it is a picture of "Drusilla", a vampire from BtVS, who is anything but obedient, and is probably just covering her mouth to call more attention to her eyes; so she can hypnotize you and slit your throat. :P BTW, yes, that is specifically why that particular picture is my avatar.). What I'm talking about here, is my banner.

An intersectional feminist blog that uses a white man on her banner?

Maybe it's the look on his face, who that character is, or the message on the poster behind him. Or maybe it's expected that white feminists will identify with a white power structure figure (I hope that's not it), or something along those lines. Or perhaps quite simply no one, if they did find this incongruent, felt the need to mention it.

But every time I see him sitting there, knowing that the reasons have gone unsaid, it's struck me; so here I am.

I have always had a vivid imagination. It's how I kept myself sane when the world around me wasn't so pleasant to be in, it's how I retain my optimism about the world, it's how I empathize with people who I've never met, and it's also why I can't stand horror movies (they stay with me). Often, what this means is I get terribly attached to characters. Most often, TV or book series characters. Growing up, there were lots of them; Troi and Roe from Star Trek: TNG, the little bratty girl from The Secret Garden, Mara Jade and Leia from Star Wars (books and movies respectively), Tom Paris and B'lanna Torres from Star Trek: Voyager, Dr. Ross on ER, and of course, Fox Mulder and Dana Scully (it wasn't until I was older that I discovered Buffy the Vampire Slayer or Firefly, which is why I'm not going to discuss them). My two greatest loves as a "tween" and teenager were the X-Files and Green Day, and the walls of my old room in my mom's house prove it; pictures everywhere. To this day The X-Files is still my favorite TV show of all time.

Why?

Shit if I know for sure! But there are some things I think I've figured out over the years of a rising consciousness. For one, there is what both Green Day and The X-Files had in common, a serious lack of respect for authority. I love a rebel, I love counter-culture, I love defiance. I saw all of that in the character of Fox Mulder. If you want to put a feminist analysis on it, it's really what Laura Mulvey was talking about; the gaze and the two sorts of desire for a character, I both wanted Mulder and wanted to be Mulder (rather similar to why I fell in love so hard for Spike from BtVS too I think). There was also something in the Mulder-Scully dynamic that I found irresistable. I will admit, I didn't have a great working model for partnership; my parents, by the time I was old enough to figure this out, had their own problems and were growing apart, to eventually divorce.

The model Mulder and Scully set out was one I could identify with, circumstances bringing them together, and a shared mission keeping them so, respect and love growing between them, and always the files to work on together. I could identify with Mulder because his defiant, sarcastic way of handling things felt familiar. His constant ostracization from "normal" society was painfully so. I was quite convinced that all I could hope to do in this world was beat out my own path and pursue my own passion, because I'd never been able to do anything any other way. And growing up being teased, I found solace in the fact that he was too, but so rarely let it get to him. He also had an optimisim and faith in what he did that I envied. "I want to believe", is a catch phrase for so many situations I found myself in, then and since. I'm convinced that growing up with this idealization of him and their relationship formed a lot of my own self identity, what I looked for in a partner (I found it), and how I think relationships should function.

While I loved Scully's character, I couldn't identify with her strict scientific method and rationalism. That wasn't (isn't) how my brain works. In watching every week, how her strict science both inhibited and enabled Mulder; I think is where I learned a respect for people who challenge me. Yet I would grow frustrated at her attempts to rein him in, seeing Mulder as everything that is pure and good in the world and simply wanting him to be vindicated; she often stood in the way of that. Watching now, I interpret much of this differently, but hey, I didn't know much about feminism at 12 and 13. :P

But this is why I knew I had to use this picture for my banner. There is so much I want to believe in, and I'm willing to work for it. I wanted something at the top of my blog that was loaded in meaning for me, even if it wasn't obvious to the casual observer. The way he's looking up from his desk, he probably fell asleep working again; books and papers piled up everywhere; jacket off, sleeves rolled up... He is me. And he is the perfect man (or at least my idealized vision of him is).

So.

That's why.

I could probably ramble on, but I think that pretty much covers it. And now you know why I picked the avatar I did too!

That only leaves my alias, so why not? I'll get into that too.

I have had one comment on my alias, a friend of mine said he though it was "self deprecating, in the worst way" and didn't like it. I found that terribly interesting, and have since wondered what others think about it when they first see my name next to a comment or post; but no, self deprecation is not why I chose it.

I had longed for a good online name ever since I started on the internet (about the same time I started watching The X-Files, actually, and oh yes, I researched UFO's like you wouldn't believe :P). And I had always wanted a name drawn from a Green Day song (my first great love, like I said). I tried on so many screen names over the years, drawn from all sorts of sources meaningful to me. "Serenity" finally stuck, for quite a while, but just didn't keep fitting. I very much wanted "Haushinka" to work, but the song didn't echo anything from my life, and it just never stuck. And then American Idiot came out. To say I was proud when I first heard that album all the way through doesn't even begin to cover it. My hometown boys had finally grown up, finally gone political, and not in the lame U2 way (sorry U2 fans) but in the Green Day way, and I was so on board. I first started using lyrics from "She's a Rebel" in signatures on message boards, but it wasn't until I thought about blogging that "Whatsername" really clicked in my head.

1) I love the song.
2) In the blogging world, there's a certain amount of organic anonymity (also why I don't capitalize). Your ideas can be sucked up and distributed by others and there's not a WHOLE helluva lot you can do about it. Yet, in some way, you live on through those ideas being disseminated.
3) Well, it IS an alias.
4) In the lyrics to "She's a Rebel" they say, "she's a rebel, she's a saint, she's the salt of the earth and she's dangerous...she's the one they call old Whatsername". So there's a link back to that song, which I identify with, as a sort of ideal to live up to (kind of like Mulder...).
5) Long after I'm done with all this I do hope that something of me is remembered. Like the lyrics say, "I can recall the face, but not the name. Now I wonder how Whatsername has been" and "Forgetting you, but not the time".

To me, there is something profound in that. It's like dying; your matter and energy is spread to the winds, personality dissolves, you are just an almost nameless essence that has effected those around you and carries on afterwards. I don't know if there's another song written that is so bittersweet to me, that makes me both sad and hopeful.

"They say home is where the heart is, but what a shame. Cuz everyone's heart doesn't beat the same..."

So, that's it, my avatar, my banner, and my name.